2020年12月1日 星期二

Help! I Hate My Boyfriend’s Stand-Up Comedy.

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Danny is online weekly to chat live with readers. Here’s an edited transcript of this week’s chat.

Q. Not a laughing matter: My boyfriend of three years has been dabbling in comedy since we started dating. For years his friends told him to do something as a comedian, even as just a hobby. He lost his job and has been taking his comedy far more seriously.

I think he is the funniest man I’ve ever met except one thing: I don’t like his stand-up routines. I don’t know if it’s just my taste, but I think he’s trying too hard and it’s just not nearly as funny as his other stuff. He does a lot of other types of comedy that I think are hilarious. When he asks me about his stand-up, I don’t know what to say. He’s not very established and kind of anxious about his skills. Should I be honest about my opinions? Should I subtly try to push him toward his funnier projects? I think he could have a career in this and I know there’s a bit of a learning curve for anybody changing careers. Should I just come up with a neutral statement that isn’t quite a lie but isn’t quite the truth?

A: If someone asks you for your direct opinion, you should give it! He’s inviting your feedback, you’ve been together for three years and clearly care about each other very much, and you already seem pretty sensitive and thoughtful. I’m not worried you’re going to blurt out something blunt or unsolicited. Tell him what you like about his other work and what you think is missing from his stand-up, and if you find that he’s asking you “What do you think?” every time he tweaks a single word in his tight five, encourage him to ask for a little less feedback, a little less often. You can offer critique and support and still sometimes say “I can’t help you with this project anymore. You should go to talk to someone else who does similar work for more advice.”

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Q. Company credit card: I recently got promoted and one of the “perks” is that I get a company card to use instead of having to apply for reimbursement. Here’s the thing: I cannot be trusted with a credit card, especially one with such a high limit. A few years ago I destroyed my credit due to compulsive shopping. I’ve been able to pay off the debt and work with a therapist to try to control my spending, but it’s a struggle every day. I absolutely cannot have access to a credit card. I can’t even have it in the house or I will use it.

I can’t just cut it up because I do need it for work-related things, and I can’t exactly tell my boss I can’t be trusted with it because I would look like an irresponsible idiot; a lot of my job involves me making responsible spending decisions for the company, even though I’m unable to do that in my own life. I’ve thought about confiding in a co-worker, giving the card to them, and having them give it to me when I ask for it for work-related things. But I know my co-workers, even the ones I’m friends with, would use that against me to get ahead. I work in a very cutthroat industry. What do I do?

A: I agree that going to your co-workers for help doing your job is not the right move—sure, the fact that they’re hypercompetitive and waiting to steal your job is a factor, but more importantly because it’s an unreasonable imposition to ask a colleague to regularly monitor or control your company credit card use. Speaking to your boss isn’t ideal either, but surely having a preemptive conversation about your relevant experience with credit card debt (and the fact that you’re receiving therapeutic treatment) is better than having to admit you used your new company card for personal spending and now you’re thousands over your limit. I’m happy to print any other suggestions from readers who’ve had—or declined, or misused, or whatever else!—company credit cards in similar positions, so let me know if you have thoughts on the subject.

Q. Can’t move in: I share a house with three roommates: “Andy,” “Kia,” and “Lynn.” Kia and Lynn are lesbians, while I am a straight girl and Andy is a straight guy. Andy and I have the two upstairs bedrooms and share a bathroom. Lynn and Kia shared the master bedroom and there’s a half-bath downstairs. Kia and Lynn have broken up and basically can’t be around each other without breaking out into an argument. Lynn is on the lease, so Kia is the one who got kicked out of the bedroom. Kia is camped out in the living room, and we all hate it because her stuff is everywhere and we cannot use the space. She is also using our bathroom to shower in. Kia has nowhere else to go and got laid off because of the pandemic. She has a few side hustles but can’t afford to move out. None of us, even Lynn, want to kick her out, but the tension in the house is high.

Kia thinks the solution is to move into my bedroom with me, since I only have a twin bed and another one can fit in easily. I don’t want that—I had to share a room growing up and it was hell. I want my privacy. I think Kia can move into the dining room we rarely use and put up curtains to make it private and use the half-bath. She and Lynn can grow up and arrange a shower schedule. Kia doesn’t want that because the noise from the stairs and kitchen will keep her up (Andy and I work nights and cook when we get home). Lynn told me to be more accommodating, and I told her she doesn’t get to drag me into her drama. She broke up with Kia, not me. This is her fault and her responsibility.

Kia and Lynn are now fighting with me. Andy has declared himself Switzerland, and I can’t afford to break the lease. I can get out in February. How do I handle this until then?

A: Frankly, if you only have to get through December, January, and February before you can get out, I’d be inclined to suggest letting Kia move her bed into your room. I can understand why you’re frustrated—it’s a very frustrating situation—but surely you don’t think putting up curtains in the dining room is enough privacy for Kia, when you insist having a roommate would be insufficiently private for you. The living room is already unusable as it is, and Kia doesn’t seem inclined to want to move her setup from the living room to the dining room (which wouldn’t really be an improvement for her, I don’t think), so in some ways I think you’d discover you had more peace and quiet even with a short-term roommate. Especially since you work nights, which means you probably won’t see too much of Kia anyways. That’s an obviously imperfect solution, and of course the bigger problem is that Kia and Lynn have expanded their breakup to include every room of the house. But if all you want to do is keep your head down, minimize conflict where you can, and find a better living situation in February, then I think that’s the easiest compromise.

If you just can’t bring yourself to share your room, wear noise-canceling headphones around the house, avoid the living room, keep to yourself as much as you can, and get out in February anyway.

Q. Holiday’s end: My mother-in-law was the family matriarch, so holidays were always spent at her house. This continued when she moved in with my husband and me. Following her death four years ago, we continued to host everyone. I hate it. Someone always expects a separate meal (always a new diet), brings their dog or extra unannounced guests, or decided my home was the perfect place for their private drama. I listened to my niece come out as an atheist to her religious parents. One sister announced her divorce because her husband was “screwing around” and did it in front of all the kids. My nephew got caught having sex in the bathroom with his girlfriend. And everyone complains there is never enough hot water (more than 20 people in the house and everyone wants to follow the same shower schedule).

Due to the pandemic, we are not hosting at all this year. It is amazing and I am actually enjoying myself. My husband agrees but gets pushed back because his family are all lamenting about not coming over. I am done. My in-laws are lovely enough in twos or threes, but I want my holidays back. How do I convince my husband and not hurt his family? I am done with all the cooking, cleaning, and shopping it takes to do the “family” holiday.

A: The beauty about being the hostess responsible for all of the cooking, cleaning, and shopping that go into making a big family holiday possible is that you don’t actually have to convince your husband of anything. You just have to not cook, not clean, and not shop for 30 other people. Just don’t do it! If they are “hurt” because for a second year in a row they will have to make their own holiday arrangements, then I would warmly encourage them to get over their hurt, bake their own cookies, call their own caterers, or draft their own seating charts. If your husband says something like “But you always used to do it” or “But all of my relatives are complaining to me,” you can say something like “Sorry to hear that,” and then take yourself out to go see a movie. This is a made-up problem! This is invented hurt! The moment you stop treating it as the sacred wound of Family Feeling, you will enjoy a new kind of freedom and peace. They will be fine. Christmas happens every year. Anyone can learn how to tie a rib roast or string up lights if they’re really committed to a certain festive atmosphere; my suspicion is that they would rather put in the work of grousing until you give in and do all the work for them.

Q. Sisterly relations: My husband left me for another woman a few years ago. He and I are now divorced and he’s remarried to this other woman. Since the divorce, my sister has become very good friends with my ex-husband and his new wife. To give a bit of context, my ex-husband and my sister’s husband are good friends and were friends before my sister and I ever met them. The two men remain good friends. My sister, therefore, has occasion to spend time with my ex and his new wife. After the divorce, when I could see that my sister was starting to develop a friendship with this other woman, I was honest with her and told her that it would be hurtful to me if she started to spend time with this woman in light of the harm my husband’s affair with this woman has caused me. I left it at that and respected my sister’s right to be friends with whomever she wants. Now the two of them are close friends, they socialize together separately from their husbands, they go on vacations together, they talk about me, and so on.

I have never said anything to my sister about how this bothers me and hurts me; I’ve simply withdrawn from her and now avoid spending time with her. I maintain a very superficial relationship with her because anything I tell her she will then tell my ex’s new wife and I find that very unsettling. Should I say something to my sister, or just leave it as it is and not rock the boat?

A: I hate to say it, but you already have said something to your sister—you told her that you’d be very hurt if she got close with your ex’s new wife, and then she decided to become very close with your ex’s new wife. She made a fully informed decision, and I think your choice to withdraw as a result was a good one. You can, of course, reiterate that this has hurt you, and that your relationship is likely to stay superficial as a result, but I think the most you can expect from such a conversation is the relief that comes from stating the obvious—it’s very unlikely your sister will change. But there is something to be said for stating the obvious, as long as you don’t belabor the point or get drawn into trying to change someone else’s mind.

Q. Can’t leave her stranded: How can I divorce my perpetually unemployed wife? I don’t think she’s lazy or incapable of landing a job—she just never had to work, with me providing the income. However, 10 years into a marriage we started way too young, I’ve learned that we’re just not in love. We are too different, and butt heads on too many issues. I’m OK paying alimony and child support, sharing custody of our kids, and wishing her nothing but the happiest, but she has no way of getting started on her own if I just drop a divorce on her. How can I split us up so that we both have a better chance of true happiness without leaving her behind and in need?

A: I mean … pay her alimony and child support, and share custody of the kids! You’ll still be providing her (at least a partial) income; you’re not contemplating turning her out into the street or fighting her for every single shared possession in court. If you don’t want to “drop” the divorce on her, give her advance notice before you move, serve her with papers, or whatever other steps in the process you want to navigate amicably. But you can’t try to nudge her into thinking “Hey, maybe a divorce would be a great idea” on her own, and you shouldn’t try to convince her to get a part-time job before you admit “I’m not in love with you.” Just get an honest divorce, make it clear you’re not going to pull any sudden moves that will put her in a financial crisis, and try to treat her respectfully. You can’t prepare her to get started on her own when you’re also the one divorcing her. She’s going to have to find that kind of support from other people (and hopefully, eventually, herself).

Q. Bunny grandparenting: I’m a woman in my 20s who has a 2-year-old rabbit. She’s very sociable, and we often go together to my parents’ house, or they come to mine. My parents, but mostly my mom, refuse to respect my wishes when it comes to my bunny (I’m aware this sounds ridiculous), from minor stuff such as “Please don’t give her another piece of banana—she’s had enough today” to serious stuff like “Please don’t hold her like that because it scares her and can cause her to have a heart attack.” Making this worse, my mom had a few rabbits as pets when she was younger, so she thinks she’s some sort of expert and that I’m being too overprotective. I don’t want to limit their time spent together because my parents really love being “grandparents.” I’ve tried talking to her, but she doesn’t listen. I can’t even imagine how bad they’re going to be when I have human children. How do I get her to stop?

A: One of the great joys of adulthood is that one is free to be as overprotective of one’s pet rabbits as one wishes. It’s your damn rabbit! (Substitute “dating life,” “clothes,” or whatever else for “rabbit,” and the point still stands.) It’s a shame that you don’t want to limit your mother’s time with your pet, but I’m afraid that’s the only available next step once you’ve tried talking to her to no avail. So: Limit your mother’s time with your pet, and make it explicitly clear that this is because she can’t follow your basic rules about rabbit safety! Don’t bring the rabbit with you when you visit, and don’t invite her over to your house until (unless?) she can agree to follow house rules. If being around your rabbit is really important to her, she is free to stop feeding her superfluous banana chunks and holding her when she’s twitching and terrified. Then her problem will be solved!

I realize this may sound a bit chirpy and condescending—it’s meant to be. Your mother ought to be embarrassed to behave so rudely while she’s a guest in your home. It’s very easy not to feed a rabbit banana, especially when the rabbit’s owner says, “Please don’t give my rabbit any more banana, or she’ll collapse into hyperkalemia.”

Q. Re: Company credit card: Along with this promotion, do you have access to an assistant? Even one whose schedule you share with others? This person could easily be put in charge of booking your travel, etc., and, oh, well, guess that means it makes sense for them to hold on to the card for you.

A: That might be ideal—if the letter writer is getting access to a high-limit company card, it’s likely they work with an administrative assistant at least some of the time, too. I wonder if it would also help to have external accountability, like with a therapist or a partner or a friend or someone in Debtors Anonymous, so you’re not risking backstabbing by a competitive colleague or sadistic boss but you also know someone besides you is aware of how you’re using the card. Obviously one can always lie to that person, but given the letter writer’s sincerity and distress in their letter, it seems like they really want someone else to know what’s worrying them.

Q. Re: Company credit card: The letter writer can tell her boss that buying things on credit is against her personal belief system and she would rather just continue to be reimbursed for company purchases.

A: I worry that might be too tricky a lie to have to maintain! What if the letter writer’s boss has seen them use a personal card before? And I’m not sure “my beliefs prohibit me from using a credit card” would fall under the category of something protected, so the boss’s response might very well be “Sorry to hear that, but it’s part of this job.” It might be possible, and there are certainly reasons to be wary about telling your boss you’ve had trouble with debt/compulsive spending in the past, but I don’t think this is quite it yet.

Q. Re: Can’t move in: Make Lynn move to your room, and then you and Kia take the master. You’ll have to reconfigure beds and rent, maybe, but two people sharing a room should have the biggest room to share.

A: I think this would be great, if the letter writer could sell Lynn on the idea! But since Lynn and Kia are both being a little volatile, and the other roommate seems determined to do nothing, my vote here is still for expediency.

Danny M. Lavery: Thanks for the help, everyone. And may all of your roommates currently breaking up with one another have their own bedrooms. See you next week.

If you missed Part 1 of this week’s chat, click here to read it.

Discuss this column on our Facebook page!

From Care and Feeding

Q. Misspelled: My son is 2 months old, and I just discovered my husband spelled our son’s middle name as “Finlay” instead of “Finley” on all of his legal documentation. I, of course, am furious, because I told him I was fine with the middle name but it had to be spelled Finley—and he agreed before our son was ever born. His mother even sent a Christmas gift to middle name “Finlay,” and when I made a comment to my husband he didn’t even have the decency to tell me! He just let me keep believing for two months that our son’s middle name was spelled Finley when it legally isn’t! I discovered this all when I went looking for his Social Security card and birth certificate to file them away properly. He says he regretted it as soon as the card came and has been afraid to tell me.

Now here is where it gets tricky. Apparently his mother guilt-tripped him into doing this while I was asleep after my emergency C-section. Read what Carvell Wallace had to say.

Get the audiobook edition of Danny M. Lavery’s latest book. Save $5 when you buy it from Slate—and listen in your preferred podcast app!



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The Pandemic Has Broken Our Marriage. Can We Save It?

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Episode Notes

Lauren and Carlos are afraid their marriage is at a breaking point. With Carlos out of work, an active toddler to care for, and another child on the way, Lauren and Carlos are feeling pressures familiar to many newlyweds—and the pandemic has only made it worse. Can we help this couple find their way back to each other? On this episode of How To!, we bring on John and Julie Gottman, who are not only co-founders of The Gottman Institute and co-authors of Eight Dates: Essential Conversations for a Lifetime of Love, but also have been married to each other for more than three decades. They help Lauren and Carlos begin to heal their relationship with tips that can apply to all couples. For starters, you are not your partner’s therapist, Julie says. Looking for patterns in their behavior will only drive you further away from understanding each other.

If you liked this episode, check out “How To Tame a Chaotic Household.”

Could you use some relationship advice? Send us a note at howto@slate.com or leave us a voicemail at 646-495-4001 and we might have you on the show. Subscribe for free on Apple, Spotify or wherever you listen.

Podcast production by Derek John, Rachael Allen, and Rosemary Belson.



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This Time, My COVID Patients Know How They’re Going to Die

A doctor and a COVID-19 patient in Bologna, Italy, on Nov. 18. Michele Lapini/Getty Images

Coronavirus Diaries is a series of dispatches exploring how the coronavirus is affecting people’s lives. For the latest public health information, please refer to the Centers for Disease Control and Prevention’s website. For Slate’s coronavirus coverage, click here.

This as-told-to essay from Andrea Artoni, a doctor at a hospital in Milan, has been adapted from a conversation with Greta Privitera.

I put on my gloves, mask, cap, visor, water-repellent coat, boots, and then a second pair of gloves. I’m ready to go into a red zone. I didn’t miss these gestures. It took me a while to realize that we are back in the nightmare.

A gray door with the words “No Entry” and a red stripe on the ground separate the “clean” area from the COVID area. We are here again, wrapped in our coats, forced to recognize ourselves by our eyes, the only thing that shows. Inside, in the bubble, at first every breath is tiring. You don’t have enough air; it’s like diving underwater. There is little noise. We are all busy and concentrated. Patients are again many, especially the elderly and sick. Disoriented. Those most aware have a strong feeling of being locked up, in prison. Now they know everything about how the disease works, what can happen, and it is more difficult for us to reassure them. They know what being “intubated” means; they know what the COVID death is like. We, the health workers, feel less energized, but we are constantly called to try to fill this huge and distressing hole of loneliness into which our patients sink, with humanity, patience, and dedication.

This second wave is more difficult than the first, where the adrenaline kept us up. Today we are tired and in some cases even demoralized, but we don’t ask ourselves many questions. We keep our head down and we work, as always. Unlike in March, almost all the hospital wards have remained open for other patients, and rightly so. But this means that in the COVID departments we work tirelessly, with very little rest. We move forward, in apnea.

In all this effort and despair, if there is one thing that pisses me off, it is the deniers. Until a few days ago, I was smiling at their bullshit. It’s crazy for us who see what this virus does, to hear things like “it’s all hype from higher powers,” “hospitals take 2,000 euros a day per patient and then hospitalize the asymptomatic,” “the emergency rooms are full of people who feel well and ambulances go around empty, to scare us.” Today I no longer laugh. A dull anger rises. Come on, denier, come and see how you die from COVID. Take reporters into hospitals to see patients who can’t breathe, the dead, or our dripping sweat. Certain rhetoric is bad for the country that needs unity and empathy. We first were considered heroes, now we have to hear all of this. I’m not a hero, I just want to do my job in the best conditions for my patients, for the families.

We didn’t need a second wave, and seeing the performance of some countries, such as the United States, I admit that I am afraid there may also be a third. It’s crazy, but I remember exactly when I realized we were about to be swept underwater by the virus again. It was early October. I was going to pick up my daughter, who was having dinner with a friend, and while driving through the streets of the center of Milan, I really thought, “Shit, it will happen again.” The streets were full of young and old who drank, ate, and smoked without a mask, each a few inches away from each other. At that moment, in that exact moment, I felt like I was in front of a giant wave that was about to hurl itself on us. And in fact, two weeks later, Italy too had officially entered the second wave of the coronavirus. We all relaxed; we were devastated by the previous months, and we let our guard down. Today it has now been a month since my medical and nurse colleagues and I have returned to what the world calls the trenches of the battle against COVID. For us it is not a trench, though; it is our job.

Like in March, the hardest side of all of this is seeing our grandparents, our patients, die alone. Phone calls to relatives are the hardest part emotionally. I don’t know how many times in the history of humanity thousands of people around the world have been denied the last farewell, the last hug, the last shake of hands with the one you love. It is devastating to say on the phone, “It is very likely that you will never see your mother or your husband again.” I will carry all those phone calls inside me forever; some I dream of even at night. I keep hearing the words of an old man in my head who asked a relative to give his wife a last caress for him. The woman he loved for a lifetime. So much suffering.

I am not so afraid for myself. But I try to be very careful, for my family. I have seen many colleagues walk from the corridors in our hospital to an ICU bed. It’s not an easy disease. I have hope in vaccines. I really hope we will find a solution soon. We are tired, we all are. We need to come together and hug each other again.



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Dear Care and Feeding: My 3-Year-Old Keeps Complimenting Me on My White Skin

Photo illustration by Slate. Photo by Brand X Pictures/iStock/Getty Images Plus.

Care and Feeding is Slate’s parenting advice column. Have a question for Care and Feeding? Submit it here or post it in the Slate Parenting Facebook group.

Dear Care and Feeding,

My generally delightful 3-year-old has developed a habit that deeply bothers me. He has started repeatedly “complimenting” me by saying, “Momma, I like your white skin.” My husband and I have tried to redirect this by talking about how compliments about people’s character are kinder than those about appearance, about how all skin colors are beautiful, and about how people of color are treated unfairly in our society despite having equal value. He has responded by doubling down and saying that he doesn’t like Daddy’s brown skin. My husband and in-laws are Hispanic, and while I know his grandparents love him unconditionally, my heart hurts to think of him saying something like this to them as well—or worse yet, to any children at his preschool. We read lots of books with diverse characters, including books that talk about race more explicitly like Antiracist Baby. None of our reading or conversations seem to sink in at all. After reading the Care and Feeding column “My 2-Year-Old Doesn’t Seem to Care About Being Anti-Racist,” I feel unsure if I am projecting white guilt onto my kid, who is just going through a mommy phase, or if I am letting him down by not doing enough anti-racist work in my parenting. Any help, advice, or admonishment welcome. Thank you.

—Momma So White

Dear MSW,

First off, I appreciate your concern and desire to raise an anti-racist kid, but you should take a deep breath and relax. Your kid is only 3. It’s not like you’re going to see him with a tiki torch chanting “Dad will not replace us” at bedtime. The concept of race and racism is highly nuanced and complex—and a good amount of grown-ass adults struggle with it.

Have you asked your son why he dislikes your husband’s skin? He might say he simply dislikes the color brown, which is completely normal toddler behavior. But if he says something that shows racist tendencies, those thoughts came from somewhere. Could it be a school friend? Another trusted grown-up? Keep an eye on whom he interacts with, because kids will pick up cues from adults even when we think they’re not listening.

Overall, I think you’re doing the right thing. Continue to teach acceptance and anti-racism in your household, monitor the people he interacts with, and stop beating yourself up. If we had more parents like you who are willing to do whatever it takes to not raise a white supremacist, America would be a much safer and happier place.

Help! How can I support Slate so I can keep reading all the advice from Dear Prudence, Care and Feeding, Ask a Teacher, and How to Do It? Answer: Join Slate Plus.

The other day my 2.5-year-old was sitting on the potty, and they started pinching the skin on their belly and said “yucky.” Should I be worried? I’ve noticed the pinching once or twice before (not just on the potty). I don’t do “weight talk,” but other family members sometimes do (I had a baby four months ago, and my mum is already telling me to suck in my gut). Is it premature to think this might be related? I don’t want to make a big deal about it to a toddler who doesn’t understand what’s going on. A few minutes beforehand, I had said “yucky” while trying to stop the kid from licking the bathroom drain, so I just said, “The floor is yucky. You could never be yucky.” Can you recommend any other ways to handle this if it happens again?

—Positive About Body Positivity

Dear PABA,

Kids don’t come out of the womb thinking their belly is “yucky,” so chances are it came from something they heard in their environment. This is pretty simple: Tell your child that their body is beautiful regardless of the shape or size it comes in, and keep saying it until it sinks in. But engaging in body positivity only works when everyone is on board.

Kids are sponges, and even though we think they never listen to us, they always are. Tell your other family members that any talk about weight is prohibited whenever your kid is around. Also, now would be a good time to ask your mom why you should have to “suck in your gut.” Would it make you prettier in her eyes? A better mom? A better woman? Seriously, get to the bottom of it and find out the reasoning behind her weight comments. Shouldn’t she love you unconditionally? Don’t you want to model that behavior for your kid? For the life of me, I’ll never understand people who are preoccupied with the weight of others. I’d much rather be around a nice person who’s overweight than a physically attractive jerk.

Your kid is a toddler, and they always say crazy stuff. But the good news is that you noticed a red flag early and you’re doing your part to correct it.

• If you missed Monday’s Care and Feeding column, read it here.

• Discuss this column in the Slate Parenting Facebook group!

I’m 13, and a few months ago, I went to visit my nana (83) and her new husband, “Glen” (99), for a weekend. (We mostly wore masks and practiced social distancing.) They have been married about a year. We spent one day with them, and we used the other day to explore the city. Until now, I didn’t really have an opinion about Glen because he was always very quiet. Glen treats my nana well and makes her happy, so that is really all I’ve cared about.

But, on the day that I was with them, Glen was trying to bond with me. Only his way of “bonding” was teasing and just being kind of mean. He was a JERK all day. He would do things like look over my shoulder at my phone and wouldn’t listen when I told him to stop. By the time I went back to my hotel, I kind of wanted to cry. My nana was oblivious, and my dad told him to stop a couple times, but it wasn’t enough. Glen also seems to do the same thing to my aunt, so at least I am not the only one who has to deal with this. Glen is turning 100 in a couple months, and there will be a party which I will probably have to go to. (Don’t judge me in this—I am just trying to go with it.) Luckily my mom will be there, and I know she will stand up for me. I’m anxious thinking about having to deal with him and his teasing all over again. What should I do?

—Not My Grandparent

Dear NMG,

Sadly, a lot of men subscribe to the “If I tease you, it’s because I like you” philosophy—which is beyond lame.

If I were a jerk, my advice would be to suck it up because the guy is 100 years old and he may be six feet under by the time this column is published. Don’t worry, I’m not going to take that route, because there’s a larger message to share here.

Sadly, a lot of men subscribe to the “If I tease you, it’s because I like you” philosophy—which is beyond lame. They were the dudes I grew up with in high school, who snapped the bras of the girls they had crushes on, thinking that somehow that would help them to score a date (it never did). Obviously, he doesn’t like you romantically—but he is doing his part to get into your good graces in an extremely clunky way.

You can pull your nana aside and tell her how Glen’s behavior is upsetting you, and that you hope she can talk some sense into him. Maybe it will work, maybe it won’t. If it doesn’t work, then you should take that as a cue that you can get into it with him on your own. If he crosses the line with you again, be extremely firm. Something along the lines of “HEY! I’M NOT KIDDING. STOP IT. IT’S NOT FUNNY, AND I DON’T LIKE IT. KNOCK IT OFF.” At this point, sparing the guy’s feelings should be pretty low on your priority list. You’ve given him plenty of warnings, and it’s time to unleash the fury on him—even if it makes your nana upset.

You mentioned that your mom would probably stand up for you if things go sideways, but I think the lesson here is that you learn how to be the hero in your own story. You are never too young to learn how to stand up for yourself and teach others to respect your boundaries.

I have a Facebook friend (we were friendly acquaintances in high school but haven’t spoken in years) who is the parent of three young children. She often posts pictures or videos of her children riding in the car while the car is in motion. The children, who range in age from 8 months to 3 years, are (in my opinion) not in car seats that are appropriate for their age, and more importantly, they are not strapped into the car seats correctly. The older two children (ages 2 and 3) are in forward-facing seats (or possibly boosters with backs?), but the shoulder straps are positioned underneath their arms and then buckled, leaving the children’s shoulders and arms completely free and unrestrained. The youngest (8 months) appeared to be in a rear-facing seat until recently, but I was astonished to see that he had been moved to a forward-facing seat in the most recent picture. They live in a state with fairly stringent car seat laws, so I don’t think that a more relaxed state law is the reason for this. I have young children of my own and understand that making kids sit in car seats correctly can be very onerous, but what do you think I should do in this situation, if anything? On one hand, I don’t want to stick my nose where it doesn’t belong. On the other hand, if I heard that their family was in a car crash and that the children were hurt I would wonder if there was something that I should have done.

—Butt Out Busybody?

Dear BOB,

Sorry, but I’m not buying your concern. If you cared about her, you wouldn’t have gone years without speaking, other than when you want to be the seatbelt whisperer. This reeks of a desire to be some sort of a savior instead of a friend. Your username answered your own question. Butt out, busybody.

—Doyin

More Advice From Slate

I’ve been fat most of my life, which has been a huge source of conflict between my mother and me, and the battles over my weight negatively impacted my body image and self-esteem. I’ve recently lost close to 50 pounds, and I feel great. But I’m unsure how to talk about my weight loss in a body-positive way with my 13- and 15-year-old nieces. What are your thoughts?



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The Best Movies and TV Shows Coming to Netflix, HBO, Amazon Prime, and Hulu in December

Phantom Thread, The Bernie Mac Show, Hero, and The Shop Around the Corner are just a few of the great titles coming to streaming this month. Photo illustration by Slate. Photos by Laurie Sparham /Focus Features, Stars, Miramax Films, and Metro-Goldwyn-Mayer.

Every month, tons of new movies and TV shows become available to stream for free for U.S. subscribers to Netflix, HBO Max, Amazon Prime, and Hulu. With so many different streaming services, it can be hard to keep track of them all—especially if you belong to more than one. Below, we present to you the ultimate streaming guide. We’ll let you decide which service has the best new titles. (All titles arrive Dec. 1 unless otherwise specified.)

Netflix
Jeopardy! CBS

Must Watch
E.T. the Extra-Terrestrial 
Jurassic Park

Good Watch
Chef (2014)
The Lost World: Jurassic Park 
Nocturnal Animals (Dec. 16)
Braven (Dec. 17)

Binge Watch
Are You the One Seasons 1–2

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Family Watch
Kung Fu Panda 2 
Monster House 
Rango (Dec. 28)
Shaun the Sheep: The Farmer’s Llamas (2020) (Dec. 22)
Jeopardy Watch
Jeopardy! Champion Run V (Dec. 18)
Jeopardy! Champion Run VI (Dec. 18)
Jeopardy! Teacher’s Tournament (Dec. 18)
Jeopardy! College Championship (Dec. 18)
Jeopardy! Tournament of Champions (Dec. 18)

If You’re Bored
3 Days to Kill (2014)
50 First Dates 
A Thin Line Between Love & Hate 
Angels & Demons 
The Da Vinci Code 
Effie Gray 
Gormiti Season 1
The Happytime Murders 
Ink Master Seasons 1–2
Jurassic Park III 
Little Nicky 
Peppermint (2018)
Quigley Down Under 
Runaway Bride (1999)
Super Wings Season 3
Stargate SG-1 Seasons 1-10
Transformers Rescue Bots Academy Season 2
Tyler Perry’s Madea’s Big Happy Family 
Why Did I Get Married? 
Kings of Joburg  Season 1 (Dec. 4)
Ava (2020) (Dec. 7)
Manhunt: Deadly Games (Dec. 7)
Bobbleheads The Movie (Dec. 8)
Triple 9 (Dec. 8)
Black Ink Crew New York Seasons 1–2 (Dec. 15)
The Challenge Seasons 10 and 13 (Dec. 15)
Grizzlies (2020) (Dec. 15)
The Professor and the Madman (Dec. 15)
Pup Academy Season 2 (Dec. 15)
Teen Mom 2 Seasons 1-2 (Dec. 15)
Guest House (Dec. 18)
Rhys Nicholson Live At The Athenaeum (Dec. 20)
The Con Is On (Dec. 21)
After We Collided  (Dec. 22)
Timmy Time Season 2 (Dec. 22)
Sakho & Mangane Season 1 (Dec. 27)
Dare Me Season 1 (Dec. 29)

Netflix Programming
Angela’s Christmas Wish 
The Holiday Movies That Made Us 
Natalie Palamides: Nate—A One Man Show 
Alien Worlds (Dec. 2)
Ari Eldjárn: Pardon My Icelandic (Dec. 2)
Fierce (Dec. 2)
Hazel Brugger: Tropical (Dec. 2)
Break (Dec. 3)
Chico Bon Bon and the Very Berry Holiday (Dec. 3)
Just Another Christmas (Tudo Bem No Natal Que Vem) (Dec. 3)
Bhaag Beanie Bhaag (Dec. 4)
Big Mouth: Season 4 (Dec. 4)
Bombay Rose (Dec. 4)
Captain Underpants Mega Blissmas (Dec. 4)
Christmas Crossfire (Wir Können Nicht Anders) (Dec. 4)
The Great British Baking Show: Holidays: Season 3 (Dec. 4)
Leyla Everlasting (Dec. 4)
MANK (Dec. 4)
Pokémon Journeys: The Series: Part 3 (Dec. 4)
Selena: The Series (Dec. 4)
Detention (Dec. 5)
Mighty Express: A Mighty Christmas (Dec. 5)
Emicida: AmarElo - É Tudo Para Ontem (Dec. 8)
Lovestruck in the City (Dec. 8)
Mr. Iglesias: Part 3 (Dec. 8)
Spirit Riding Free: Ride Along Adventure (Dec. 8)
Super Monsters: Santa’s Super Monster Helpers (Dec. 8)
Ashley Garcia: Genius in Love: Christmas (Dec. 9)
The Big Show Show: Christmas (Dec. 9)
Rose Island (L’Incredibile storia dell’Isola Delle Rose) (Dec. 9)
The Surgeon’s Cut (Dec. 9)
Alice in Borderland (Dec. 10)
A Trash Truck Christmas (Dec. 11)
Canvas (Dec. 11)
Giving Voice (Dec. 11)
The Mess You Leave Behind (El desorden que dejas) (Dec. 11)
The Prom (Dec. 11)
A California Christmas (Dec. 14)
Hilda: Season 2 (Dec. 14)
Tiny Pretty Things (Dec. 14)
Song Exploder: Volume 2 (Dec. 15)
Anitta: Made In Honorio (Dec. 16)
BREAK IT ALL: The History of Rock in Latin America (Dec. 16)
How To Ruin Christmas: The Wedding (Dec. 16)
The Ripper (Dec. 16)
Run On (Dec. 16)
Vir Das: Outside In - The Lockdown Special (Dec. 16)
 Home for Christmas: Season 2 (Dec. 18)
Ma Rainey’s Black Bottom (Dec. 18)
Sweet Home (Dec. 18)
London Hughes: To Catch a D*ck (Dec. 22)
Rhyme Time Town Singalongs (Dec. 22)
The Midnight Sky (Dec. 23)
Your Name Engraved Herein (Dec. 23)
Bridgerton (Dec. 25)
Asphalt Burning (Børning 3) (Dec. 26)
DNA (Dec. 26)
Fast & Furious Spy Racers: Season 3: Sahara (Dec. 26)
Go! Go! Cory Carson: Season 3 (Dec. 26)
The Magic School Bus Rides Again in the Zone (Dec. 26)
Cops and Robbers (Dec. 28)
Best Leftovers Ever!  (Dec. 30)
Equinox (Dec. 30)
Transformers: War for Cybertron Trilogy: Chapter 2: Earthrise (Dec. 30)
Best of Stand-Up 2020 (Dec. 31)
Chilling Adventures of Sabrina: Part 4 (Dec. 31)

HBO Max
James Stewart and Margaret Sullavan in The Shop Around the Corner. Metro-Goldwyn-Mayer

Must Watch
Blow-Up
Lord of the Rings: The Fellowship of the Ring
Phantom Thread
The Shawshank Redemption

Good Watch
Amistad
Annabelle: Creation
The Bay 
The Beguiled (2017)
The Crow
The Girl With All the Gifts 
Gladiator
Hero (2002)
Hot Fuzz (2007)
Juice
The Last Samurai 
Michael Clayton
Misery
Risky Business (1983)
Shaun of the Dead 
Soylent Green 
THX 1138 
True Grit (2010)
The Photograph (Dec. 5)
Midnight Family (Dec. 11)
I Used to Go Here (Dec. 20)
Independence Day (1996) (Dec. 26)

Binge Watch
The Trial of Christine Keeler Season 1) (Dec. 9)
Adult Material Season 1 (Dec. 11)
The West Wing Season 1–7 (Dec. 25)

Family Watch
Nancy Drew (2007)
Kung Fu Panda 2 
Robots
Stargirl Season 1

Nostalgia Watch
Final Destination 
Final Destination 3
Joe Versus the Volcano 
Harry and the Hendersons 
Logan’s Run 
Mars Attacks!
Snakes on a Plane
 
Three Seashells Watch
Demolition Man

Oldies Watch
3 Godfathers (1948)
The Bishop’s Wife
Bundle of Joy 
Father of the Bride (1950)
Gun Crazy
Holiday Affair 
It Happened on Fifth Avenue 
The Man Who Came to Dinner 
Meet Me in St. Louis 
My Dream is Yours 
On Moonlight Bay 
Period of Adjustment 
Romance on the High Seas 
Room for One More 
The Shop Around the Corner 
Susan Slept Here
Tea for Two
Three Godfathers (1936)
Young Man with a Horn 

’Tis the Season to Watch
Tom and Jerry: A Nutcracker Tale 
Tom And Jerry: Santa’s Little Helpers 
 
If You’re Bored
40 Days and 40 Nights 
Absolute Power
A Cinderella Story: If the Shoe Fits 
Adam Ruins Everything Seasons 2–3
The Adventures of Pinocchio (1996)
Amanpour: Sex & Love Around the World 
Beyond Reasonable Doubt Season 1
The Blind Side
The Book of Henry 
Bright Young Things
The Carbonaro Effect Seasons 2-5
Chasing Life with Sanjay Gupta
Code 46 
Comedy Knockout 
Contraband (2012)
Crimes of the Century Season 1
The Crow: City of Angels
The Crow: Wicked Prayer
Dead Wives Club Season 1
Death Row Stories Seasons 1–4
De Blanco La Patuda (aka White Is for Virgins)
Deep Blue Sea (1999)
Diary of a Wimpy Kid: Dog Days 
Fallen (1998)
Falling Skies Seasons 1-5
The Family Man 
Fifty Shades of Black
Final Destination 2 
The Final Destination
Finding Jesus: Faith, Fact, Forgery
Freelancers
Free Willy 2: The Adventure Home 
Free Willy 3: The Rescue 
Free Willy: Escape from Pirate’s Cove 
Hell in the Heartland 
The History of Comedy 
How It Really Happened Seasons 1–4
The Human Stain
The Hunt with John Walsh 
Inside Evil with Chris Cuomo 
Just My Luck (2006)
Laff Mobb’s Laff Tracks 
La Unidad 
The Misery Index 
No Blade of Grass (1970)
The Omega Man 
Outbreak 
Paid Off with Michael Torpey Season 1
Pope: The Most Powerful Man in History 
Project X (2012)
Rachel Dratch’s Late Night Snack Seasons 1-2
The Redemption Project Season 1
Rock of Ages 
Sanctum 
The Sentinel (2006)
Sex and the City 
Sex and the City 2 
Snow White and the Huntsman 
Something’s Killing Me Seasons 1–3
Southland Seasons 1–5
SPAWN 
Striptease 
Talk Show the Game Show Season 1
Those Who Can’t Seasons 1-3
Timeline
Unfaithful (2002)
Unmasking a Killer Season 1
Very Scary People Season 1
The Wedding Date (2005)
Westworld (1973)
What Bitch? 
Wrath of the Titans 
Wrecked (2019)
Yogi Bear 
Beyond the Spotlight Season 1 (Dec. 4)
Bright Now: Alien Worlds (Dec. 4)
Engineering the Future (Dec. 4)
La Leyenda Negra  (Dec. 4)
Jujutsu Kaisen Season 1 (Dec. 4)
La Jauria (The Pack) Season 1 (Dec. 8)
One Night in Bangkok (Dec. 8)
4 Blocks Seasons 1-3 (Dec. 10)
CNN Heroes:  An All-Star Tribute (Dec. 17)
Love Monster Season 1-2 (Dec.17)
Diego Torres Sinfonico Season 1 (Dec. 18)
Hasta Que La Boda Nos Separe (aka The Wedding Unplanner) (Dec. 18)
Wendy (Dec. 19)
Squish Season 1 (Dec. 23)
Road Trip Season 1 (Dec. 26)
Los Dias De La Ballena (AKA The Days of the Whale) (Dec. 29)
The Champ (1979) (Dec. 31)
Conan Without Borders (Dec. 31)

HBO Original Programming
Baby God (Dec. 2)
Heaven’s Gate: The Cult of Cults (Dec. 3)
Bugs Bunny’s 24 Carrot Holiday Special (Dec. 3)
My Gift: A Christmas Special From Carrie Underwood (Dec. 3)
Euphoria Special (Dec. 6)
40 Years A Prisoner (Dec. 8)
Alabama Snake (Dec. 9)
Esme & Roy Holiday Special Episode (Dec. 10)
Haute Dog Holiday Special Episode (Dec. 10)
Let Them All Talk (Dec. 10)
The Bee Gees: How Can You Mend a Broken Heart (Dec. 12)
The Art of Political Murder (Dec. 16)
Homeschool Musical Class of 2020 (Dec. 17)
Sesame Street: Holiday at Hooper’s (Dec. 17)

Season Premieres
Stylish with Jenna Lyons Series Premiere (Dec. 3)
House of Ho Series Premiere (Dec. 10)
Summer Camp Island Season 3 (Dec. 10)

Theatrical Premieres
Wonder Woman 1984 (Dec. 25)

Aubrey Plaza in The Little Hours. Universal Pictures

Must Watch
The Hurt Locker

Must(ache) Watch
Tombstone

Good Watch
Air Force One
A League of Their Own
Gandhi
Gringo: The Dangerous Life of John McAfee
Harold & Kumar Go to White Castle 
The King’s Speech 
The Kingmaker
The Natural
Nick and Norah’s Infinite Playlist 
The People vs. Larry Flynt
The Pursuit of Happyness
Thank You for Smoking 
True Confessions (1981)
Pawn Sacrifice (Dec. 23)
The Little Hours (Dec. 23)

Binge Watch
The Affair Season 1
The Berlin Dance School Season 1
City on a Hill Season 1
L Word Generation Q Season 1
Mr. Selfridge Season 1 
Ray Donovan Season 1 
Spanish Princess Season 1
Work in Progress Season 1 
The Bernie Mac Show Seasons 1-5 (Dec. 8)

007 Watch
Dr. No
Goldeneye
Goldfinger
The Spy Who Loved Me 

Family Watch
Cloudy With a Chance of Meatballs
Tom & Jerry Tales Season 1
Wild Kratts: China Adventure Season 1 
 
Nostalgia Watch
Anaconda
True Lies

Oldies Watch
Assassin of Youth 
Ghost Town (1936)
Gun Brothers 
Outlaw’s Son 
La Pachanga (Dec. 17)

’Tis the Season to Watch
12 Disasters 
Christmas Chalet 
Lidia Celebrates America Home for the Holidays Season 1 
Love at the Christmas Table 
Snowbound for Christmas
 
If You’re Bored
2012
A House Divided Season 1
Angels & Demons 
Body of Evidence 
Cake (2005)
The Chumscrubber
Diary of a Mad Black Woman 
Enterprice Season 1 
Euphoria (2019)
Full Moon High 
George Gently Season 1
Harold & Kumar Escape From Guantanamo Bay
Hemingway’s Garden of Eden 
Hot Air (2019)
How the States Got Their Shapes Season 1 
Idiomatic Season 1 
Into the Blue 
Letters to Juliet 
Los Rodriguez el más allá 
Murder in the Bayou Season 1 
My Crazy Ex Season 1 
No Passport Required Season 1
NOVA: The Planets  Season 1
Priest (2011)
Roadkill Season 1 
Spanglish 
Why Did I Get Married? 
Valley Girl (2020) (Dec.7)
Year One 
Mad About You Seasons 1-8 (Dec. 8)
Victoria Small (Pequeña Victoria) Season 1 (Dec. 11)
Blackbird (2020) (Dec. 18)
Someone Marry Barry  (Dec. 23)
Soldiers of Fortune (2012) (Dec. 25)
The House Sitter  (Dec. 27)
Hope Gap  (Dec. 28)
Supervized (Dec. 31)

Amazon Originals
Sound of Metal (Dec. 4)
I’m Your Woman (Dec. 11)
Clifford the Big Red Dog Season 3A (Dec. 11)
The Wilds Season 1 (Dec. 11)
The Expanse Season 5 (Dec. 16)
The Grand Tour Presents: A Massive Hunt (Dec. 18)
Sylvie’s Love  (Dec. 25)
Yearly Departed (Dec. 30)
 

The Client Warner Bros.

Must Watch
Eyes Wide Shut
The Hurt Locker
The Lord of the Rings: The Fellowship of the Ring 
The Lord of the Rings: The Return of the King 
The Lord of the Rings: The Two Towers

Good Watch
Black Dynamite (2009)
Southside With You 
Sunshine (2007)
The Client 
The Color of Money 
The Fifth Element
The Hand that Rocks the Cradle 
The Young Victoria
True Confessions (1981)
She Dies Tomorrow  (Dec. 4)
God’s Own Country  (Dec. 5)
Mr. Jones (2019) (Dec. 5)
Out Stealing Horses (Dec. 10)
The Hero (2017) (Dec. 18)
You Cannot Kill David Arquette (Dec. 22)
The Little Hours (Dec. 23)
American Animals (Dec. 27)
Our Idiot Brother (Dec. 28)

Binge Watch
Brassic Season 2 (Dec. 4)
NOS4A2 Season 2 (Dec. 21)

Family Watch
Charlotte’s Web (1973)
Dr. Seuss’ The Grinch Musical! (Dec. 10)

007 Watch
Dr. No
Goldeneye
Goldfinger
The Spy Who Loved Me 

Oldies Watch
Sands of Iwo Jima 
Strategic Air Command 

’Tis the Season to Watch
CMA Country Christmas: Special
Disney Holiday Singalong: Special 

If You’re Bored
The 6th Day
30 Days of Night 
50 First Dates
About Last Night 
Angels & Demons 
Any Given Sunday
Body of Evidence 
Cake (2005)
The Chumscrubber 
Cliffhanger
Con Air 
The Da Vinci Code 
Diary of a Mad Black Woman 
Dominion: Prequel to the Exorcist 
Dragonball: Evolution
Euphoria (2018)
Garfield: A Tail of Two Kitties 
Hemingway’s Garden of Eden 
Here on Earth 
Hot Air (2018)
Hulk (2003)
Into the Blue
The January Man 
Love Potion No. 9 
Lupin the 3rd Part 5 Season 1
The Mummy: Tomb of The Dragon Emperor 
The November Man 
Our Family Wedding 
Shrink
Sleeping with the Enemy 
Two Weeks (2006)
Under the Tuscan Sun
Why Did I Get Married?
Deutschland 89 Season 1  (Dec. 4)
My Hero Academia Season 4 (Dec. 4)
Black Ops  (Dec. 5)
It Had to Be You (2015) (Dec. 5)
Waiting for the Barbarians  (Dec. 5)
How to Fake a War (Dec. 6)
The Secret Garden (2020) (Dec. 6)
Valley Girl (2020) (Dec. 7)
The Fairy Princess and the Unicorn  (Dec. 8)
Rent-A-Pal (Dec. 11)
Spy Cat  (Dec. 11)
Endless  (Dec. 12)
Dirt Music (2019) (Dec. 15)
Hitman: Agent 47  (Dec. 15)
Amy Winehouse: A Final Goodbye  (Dec. 16)
Someone Marry Barry  (Dec. 23)
Soldiers of Fortune (2012) (Dec. 25)
Hope Gap (Dec. 28)
Bayou Caviar (Dec. 31)
Supervized (Dec. 31)

Season Premieres
Nurses Series Premiere (Dec. 8)
The Masked Singer Season 5 (Dec. 27)

Hulu Original Programming
The Hardy Boys Season 1 (Dec. 4)
Madagascar: A Little Wild Season 2 (Dec. 11)
Letterkenny Season 9 (Dec. 26)



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An Oral History of the Longest-Ever Broadway Shutdown

The Walter Kerr Theatre in New York City on Jan. 4. Photo illustration by Slate. Photo by Walter McBride/Getty Images.

The understudy just hours away from stepping into the spotlight. The 74-year-old star still celebrating his first Tony Award win. The usher who greets hundreds of audience members before the curtain even rises.

On March 12, 2020, Gov. Andrew Cuomo ordered Broadway to shut down due to the coronavirus, closing 31 plays and musicals—and upending the lives and livelihoods of the more than 96,000 people whose jobs rely on the industry. That number includes the cast and crew of the 2019 Best Musical Hadestown, who would bring the Greek myths of Orpheus and Eurydice and Hades and Persephone to life each night at the Walter Kerr Theatre.

They used to play for packed houses eight times a week. Now they’re just doing all they can to get through this pandemic. Slate spoke to 10 people who help make Hadestown to tell the story of the day it all came to a halt, how their lives have changed, and what it will take to safely bring theater back to the Theater District.

Before the shutdown announcement on March 12, a Thursday, Hadestown’s cast and crew weren’t sure whether it would ever come.

TJ D’Angelo (head usher at the Walter Kerr Theatre): We heard that this virus was coming, but it felt like, it’s not going to happen here. This is 2020, this is New York. Then it started to really hit. Every day for two weeks was a different day at work because nobody wanted to be the first show to do anything. We heard that an usher tested positive. We were asking, “Can we wear gloves?” Originally, no. And then, yes, you can wear gloves, but they have to be these black gloves that we issue because we want them to look not like a medical thing.

“You’re hearing people cough on the subway and wondering what’s going to happen and just mentally pleading for someone to take some drastic action.” — J. Alex Huerta, audio assistant

J. Alex Huerta (audio assistant): I took a trip to Hawaii for my birthday at the end of February, and the day after I got back, there was a report of someone who had traveled through Hawaii that had COVID-19. It was one of the first few known cases in the U.S., so I felt like I had dodged a bullet there. And here I am, back at work every day, and I’m putting my hands on André De Shields, the Tony-winning, 74-year-old actor. And every day the news is getting worse. You’re hearing people cough on the subway and wondering what’s going to happen and just mentally pleading for someone to take some drastic action.

Timothy Hughes (chorus member, Hades understudy, tall guy): I remember we had a cast meeting about health and safety where we decided not to do the stage door anymore. And that felt like a big change.

André De Shields (actor who plays Hermes): The curtain would come down—although there actually is no curtain, but you know what I mean—and then there would be a crowd of 100, 200 young people standing at the stage door wanting selfies and photographs, and we would go out and the screaming would start all over again and we would spend another hour giving them what they desired. On Saturday, March 7, it was announced that that ritual was no longer going to happen. Although we were aware of [the virus], the panic and fear had not set in.

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Jennifer Diaz (house carpenter at the Walter Kerr Theatre): On Wednesday night, during the evening show, an actor asked before they entered the stage, “Do you think they’re going to shut down Broadway?” And I was like, “Absolutely not. It’s never going to happen. There’s too much money to be lost.”

Brian Drye (trombonist): That show on March 11 was a wild show. We were all wondering, what’s happening with this thing? I don’t know if it was the energy of the band or the actors or the crowd, but there was something in the air that night.

TJ D’Angelo: It’s theater. Everybody likes rumors.

On Thursday morning, the cast and crew still expected to perform their evening show. Two of Hadestown’s supporting actors, John Krause and Jewelle Blackman, were on the cusp of major career breakthroughs. Blackman, who has been with Hadestown since its Canadian run, had just recently become the understudy for the lead role of Persephone, and planned to fill in later that month. Krause, a member of the chorus, had been the understudy for the part of Orpheus since the show opened on Broadway 11 months earlier—but in all that time, star Reeve Carney never missed a performance.

Krause was scheduled to debut as Orpheus for the first time on Thursday night.

John Krause (chorus member, Orpheus understudy): In December 2018, I auditioned to be the Orpheus standby, meaning I would only go on if Reeve had called out. You know, there are the Elphaba standbys in Wicked—her literal job is just to be there to get green very quickly if she has to. They thought Orpheus was going to be such a difficult role that Reeve would probably only do seven [out of eight] shows a week.

But Reeve Carney is a god amongst men and he can sing forever and never get tired, so my role mutated. I was very grateful when I got the call that I was going to be in the ensemble and be the understudy, because it meant I would get to be in the show every day.

John Krause. Photo illustration by Slate. Photo by Matthew Murphy.

Beverly Jenkins (production stage manager): Reeve Carney has never missed one minute on that stage, God bless him. March 12 was the first day of Reeve Carney’s vacation.

John Krause: I had done the role of Orpheus in a few put-ins, meaning I had done the role in costume, onstage, with lights, sound, just no audience. I felt really good about it. I felt ready.

Timothy Hughes: I was at rehearsal, and the excitement in the room was heightened because it was the first time ever that an understudy was going on for Orpheus. After rehearsal I was supposed to run to get all of these doughnuts that John’s wife had ordered for his opening night.

John Krause: They had just recently stopped all sports. But it was like, OK, well, those are big stadiums with thousands upon thousands of people. Our theater’s just over 900 seats. I was making excuses and not allowing myself to even think that shutting down was a possibility. My parents flew in from Los Angeles, against my brother-in-law’s better judgment. They didn’t want to miss a chance to see their son be the lead of a Broadway show.

“Seven o’clock curtain. And here it is, 4 o’clock and it is snatched from him. It was heartbreaking.” — Beverly Jenkins, production stage manager

Everything was still bustling. People were in restaurants. People were still like treating it like a flu, like, just wash your hands and don’t touch your face kind of stuff. We went to Times Square.

Rachel Chavkin (director): [Hadestown producer] Mara Isaacs and I were in auditions for the national tour, and Mara is apologizing to everyone, saying, “I just might have to go at any moment,” checking her phone. And indeed, about halfway through the morning session, she had to go over to the [Broadway] League.

Timothy Hughes: The producers walked in. John wasn’t at the theater yet. We knew something was wrong. Whenever the producers show up unexpectedly, it’s not the best of signs. They explained to us that they had been at a meeting, that the governor was shutting us down for 30 days. Everybody was kind of stunned and nobody knew what to do.

John Krause: My parents were still a little jet-lagged, so we decided to take a nap. I remember waking up in their hotel room to Cuomo on the TV and tons of texts. I remember the announcement and just staring at it. And then I started to cry, but I pulled myself together. Maybe I was trying to hold it together for my parents.

There was an impromptu company meeting, so I walked to the theater. I walked onto the stage, and everyone hugged me. [choking up] Oh, man. Just thinking about it, it’s making me really emotional. They surrounded me, and I just wept in a full release.

Beverly Jenkins: Seven o’clock curtain. And here it is, 4 o’clock and it is snatched from him. It was heartbreaking.

John Krause: It felt like something died. It was a state of shock.

Timothy Hughes: I was immediately like, I think we need those doughnuts. I don’t think I realized that the doughnuts from John’s wife were going to say something, but we opened them up and they said, like, “To My Orpheus,” and I was like, “Oh, no!” I was hoping these would just be a basic dozen from Dunkin’, but they spelled out something beautiful about him going on for the first time.

Jewelle Blackman (one of the Fates, Persephone understudy): I felt sick. I couldn’t believe that after getting to Broadway and being in a hit show and on the precipice of showing the world my Persephone, it was all coming to a standstill. I went up to my dressing room and was in there for a while by myself. I believe some people did get together to go to this bar across the street for a little rendezvous, but I was not in the mood. I was like, “This is just too much.” I was not in a happy place at all when it happened.

André De Shields. Photo illustration by Slate. Photo by Matthew Murphy.

André De Shields: I had been in Florida doing a gig, and because I wanted to be my professional best when I returned on March 12, I thought, Well, I’m not even going to stop home and drop my bags. I’m going to go directly to the theater because I want them to know: I’m back. I’m ready. Let’s hit it!

I go into the theater and I don’t even realize that the lights are not up on the stage. It’s before a half-hour to showtime, and the production stage manager, Beverly, walks out of the office and she says, “Mr. André, what are you doing here?” And I say, “This is Thursday, March 12. I’m supposed to return to the show.” She looks at me in the way only a Black woman production stage manager can look at you, and she says, “Have you been looking at your phone?” I open my phone and, of course, there is one text after another from her saying to me that the show is closed.

I’m still in my fresh-from-Florida humorous mood, and I say to her, “What’s the problem? I go away for four days and you can’t keep the show open?” And she says, “André, Broadway is shut down.” So then, you know, the cold water hits my face.

The initial shutdown was only supposed to last one month, with Broadway performances returning the week of April 13.

Jennifer Diaz: We were really like, “So we’ll take this month off. Have a good St. Paddy’s Day. Have a nice April Fools’. We’ll see you guys around Easter.”

J. Alex Huerta: I remember I was packing up to leave the theater and I thought, Do I take my utility knife and my alcohol swabs in case there’s, like, an apocalyptic event and I need to battle my way through New York? [laughs] I didn’t know how to prepare at that point. At the time, a month both seemed like way too long to go without work and not nearly enough time to solve any problems.

Rachel Chavkin: It was very unclear how long it would last, so there was sort of this feeling of a snow day.

Beverly Jenkins: A lot of the crew was in already, and so were the electricians, so we took the water out of the [fog machine] pipes so we wouldn’t come back to find them growing mold on us.

Jennifer Diaz: We shut the set, we made sure everything was powered down, and we left.

Timothy Hughes: Originally, my body enjoyed the time off. I had not had a vacation. But that lasted only like two weeks, and then I was like, OK, what am I going to do? I tried to turn on the soundtrack and sing through the score and dance through the show and it was just not satisfying. It wasn’t filling the artistic well that I needed to be filled at the time.

Timothy Hughes. Photo illustration by Slate. Photo by Matthew Murphy.

Jennifer Diaz: During that month, I was paying attention to the news, watching what was happening and I realized, no, there’s no way we’re going to be back in a month.

TJ D’Angelo: We’ve never really closed down for longer than maybe a month. There was the Local One strike. [The Local One stagehand strike in 2007 lasted 19 days. The longest shutdown in Broadway history took place in 1975, when a musicians strike shuttered Broadway for 25 days.] We’ve had other strikes that lasted a weekend, or a hurricane for like two days, but never anything longer than a month—except maybe when a show is closed. But if Bruce Springsteen’s show closes and we’re going to have Hadestown coming in in three or four months, great, I know I’m going back to work. With this, God knows! And every day it changes.

As the coronavirus crisis became more and more dire in New York City and elsewhere, Broadway was forced to push back its return date to June … and then push it back again to September … and then to January. The most recent announcement extended the shutdown through May 2021. Now facing at least six months before they can return to work, the cast and crew are filling their time with family, art, and teaching gigs. Some aren’t sure whether they’ll return at all.

Beverly Jenkins: I teach stage management at NYU and at the Shenandoah Conservatory and I have contact with all these young stage managers, and we do a lot of talking about what they have to look forward to when they get out of school in May. But, what can they do? My heart breaks for them a little bit.

Jennifer Diaz: Both my husband and I are stagehands, and we are both unemployed, so that’s hard. My husband works at the Opera House, and they announced that they’re not back until September 2021. A silver lining—well, not even silver, more like a gold lining—is that we have a baby. She was seven months old when COVID hit. Since we’ve been home with her, we got to experience her crawling for the first time together.

TJ D’Angelo: My husband’s worked this whole time. He works in a grocery store. Up until maybe a month ago, he slept on the couch in the living room because he was afraid to potentially pass the virus on to me. Stupidly, I’m writing a play for myself. I’m a short Italian guy, 5 feet tall, and I’m writing a one-man show called Little Italy, about a little guy who takes over the Mafia. I’m also learning Italian.

Jewelle Blackman. Photo illustration by Slate. Photo by Matthew Murphy.

Jewelle Blackman: One of the other Fates, Yvette [Gonzalez-Nacer], brought up the idea of making a Christmas album with all three Fates. Everyone, 100 percent of the cast, is on the album. I didn’t expect that at all. But it says so much about how everyone who’s involved in the show really wanted to create something together again. It was a way for us to feel connected.

Recently, I was able to shoot an episode of a Canadian TV show. I’ve been auditioning for a lot of television stuff because TV production is, like, out the roof out here. Everyone on set has a mask, you have to have a test a week before you actually get on set, and there’s no more craft table.

André De Shields: I live in Hell’s Kitchen, which is the bedroom of Broadway. Although the show has not played since March 11, people still encounter me on the street, call me Mr. Hermes, and then, sometimes eagerly, sometimes cautiously, share something very personal about their lives with me. And what I’ve learned is I cannot not have time to listen. I’m Hermes, I’m a god, I live forever. Of course I have time. What’s on your mind? What’s on your heart? Share it with me.

“I place my hands on the stage door and bless the theater, bless the spirit that we left inside, bless the ghost light.” — André De Shields, actor who plays Hermes

I like to remain healthy as much as I can, so I do my shopping at a natural food place. I only have to take a half block detour to visit the theater. I always take that detour, and I place my hands on the stage door and bless the theater, bless the spirit that we left inside, bless the ghost light. When you leave the theater, you’re leaving your second home. No matter where you live, no matter how much money or little money you have, if you’ve chosen the profession and the profession has chosen you in return, that is your second home. Eight shows a week. Eventually you have in your dressing room a miniature version of your home: You have your teapot, you have your tea, you have your spices, you have the sage. You have your Tony and your slippers and your robe. And you want to know that there’s a keeper of the flame—that’s the ghost light.

TJ D’Angelo: I went to a doctor’s appointment in Manhattan recently and I just had to walk by the Walter Kerr and be like, “I miss you, old friend.” It was strange to see it dark. I’ve been an usher for 17 years. For the last four years, I was the commissioner of the Broadway Bowling League, so I got to know a lot of people. I feel like I’m the mayor of that area, and when I looked around, there just wasn’t anybody, no tourists or actors walking by. It really hurts the soul.

Jewelle Blackman: I always make sure to at least pass by the theater and take a picture out front, just to remember. I don’t know if I necessarily feel hope, or sadness, or despair. It just feels like it’s stuck in a moment of time and it’s there, waiting.

John Krause in dress rehearsal as Orpheus. Photo illustration by Slate. Photo by Cherie B. Tay.

John Krause: My wife, Molly, and I just got married last year. I was on the road for a while. She works in L.A. primarily. We’ve kind of had to make it work by going all over the place. But now we have a dog, and we’re considering getting a home and starting a family. Can I justify going back to New York for the long term?

If I don’t go back to Broadway, there will 100 percent be a part of me that will always wonder what could have been, and what it would have felt like to have that moment, to have that spotlight, because that’s been my dream since I saw my first Broadway show: to lead the show.

J. Alex Huerta: My current train of thought is that I’m going to hold off on any big life decisions until January or February, until there’s a new administration and hopefully more stimulus benefits. I’ve been considering exploring career retraining programs. Some of the artists I work with are looking at programs that teach you how to code. I spent so long working on a career—you know, you move to New York City, you work your ass off, long days and long nights for nothing, in order to move up the ladder. I spent so much time on all of that. There is a certain appeal in finding something that doesn’t take too much out of me.

But it’s impossible to imagine not being there when Hadestown can finally happen again. Audience members who haven’t seen a show in more than a year being able to sit there and listen as the trombone starts to play? If I can be there, in any way, I really would want to be.

When Broadway does reopen, the challenge will be doing so safely. In the 2018–19 Broadway season, 14.8 million people attended a Broadway show; 65 percent were tourists. The industry relies on packing hundreds of people from all over the world into close quarters.

Rachel Chavkin: We’re going to be watching plays, I’m assuming, with quite a lot of people in masks for a while.

Beverly Jenkins: Theater will be back. It will take more than a minute for us to be back at full capacity, sure. But I belong to the COVID-19 Think-Tank. We’re theater-makers who are working closely with the CUNY Graduate School of Public Health & Health Policy at how we can go back safely. The actors and crew want to be back, but we also have to make sure the audience wants to come back.

“Nine hundred and thirty-six people have to walk past me in a half-hour. I’m gonna have to be wrapped up in cellophane.” — TJ D’Angelo, head usher at the Walter Kerr Theatre, on eventually reopening

J. Alex Huerta: I make all the mic rigs that the actors wear, I test and maintain them regularly, I help make sure actors get them on. So I was brought on to the COVID Think-Tank to talk about issues that people like me are going to face.

One of the main projects I’ve been directly involved in is setting up a time and motion study. It’s an exploration of exactly who is where at any given point in the workplace. What is their path? Who are they coming into contact with, and what could potentially be done to change that? The goal is to figure out how all contact can be reduced before we even start rehearsals again.

It’s a lot of work. I filled out my own track as an example, and I think I had 50 items on the list of paths I cross and things I touch before we even start the show. There’s a reason why theater was one of the first businesses to shut down. It takes so many people to make a show, and it is so hard to avoid contact, especially on Broadway when we’re packed into these old theaters.

TJ D’Angelo: When people come in with their tickets, sometimes they can be disgusting and they don’t mean to be. I’ve seen hundreds of people put their tickets in their mouths while they take their hat and gloves off, then hand it to me and say, “Where am I sitting?” I’m the first person that audiences see when they come into the theater. Nine hundred and thirty-six people have to walk past me in a half-hour. I’m gonna have to be wrapped up in cellophane.

While the House Democrats’ Heroes Act contains a provision to support independent theater called the Save Our Stages Act, the stimulus bill has stalled for months. Without consistent work, thousands are expected to lose their health insurance. It’s unclear just how many jobs will return when performances begin again, and what the long-term effects of the shutdown will be on Broadway and beyond.

J. Alex Huerta: The economics and politics that we’re dealing with right now are people in office who continually dismiss the arts, which is an industry that’s bigger than the airline industry.

Everyone being at home right now, watching Netflix or watching recordings of plays, it’s even more frustrating because I’m absolutely not saving anyone’s life, but if you don’t have art and entertainment in your life, then is it really worth living? It seems like it’s all we have to keep us going right now.

Brian Drye. Photo illustration by Slate. Photo by Matthew Murphy.

Brian Drye: I have a few part-time jobs, and because I was putting in way more hours after Broadway shut down and I make literally just over the limit, I didn’t qualify for unemployment. I lost two-thirds of my income. It’s financially been pretty rough for us. This is the least I’ve played in my entire life. But I’m grateful to have a job, with so many people out of work.

If you’re in Prospect Park on a Saturday, there’s usually five bands playing at any given moment. I guess the problem for me with that is that we’ve worked so hard to get paid as artists. I’m all for playing, but when it turns into a gig and you’re just taking donations outside, I wonder if that diminishes our stake in being paid correctly for what we do.

Rachel Chavkin: Who is talking about us? We’re obviously hearing about the restaurant industry, but it doesn’t feel like there’s really a conversation about how we need income. Artists are workers, and our industry is completely shut down. And there is some incredibly heinous intimation that there’s a froofiness to the arts. We are workers as sure as a wait staff at a restaurant or a factory worker in Redding, Pennsylvania.

TJ D’Angelo: My fear now is: Is unemployment going to go past March? They said that unemployment’s good for 52 weeks. I’m sure they’ll figure it out between now and then, with the government extending benefits for people who are still out because of the pandemic. I’m hoping. If not, I’m really screwed.

In spite of everything—the personal sacrifices, the financial uncertainty, the political abandonment—all of the workers I spoke to trust that theater will make it through, and may even be better and more inclusive for it.

André De Shields: The generation that’s younger than I am looks to the generation before them for an answer. We don’t have an answer. But we do have stories to tell, so I say to them, “In my lifetime, there was another pandemic: AIDS.” And they say, “But that’s a manageable disease now.” I say, “Yes, it is. But it took 50 years. When it first hit, it was madness, and those who were infected with HIV were the scum of the earth, were evil. We haven’t found a vaccine, but now we have learned to live with it and beyond it.” This is my perspective: We can deal with this if we don’t panic and react in fear, if we understand that we’re all in this together and it’s nobody’s fault.

“When we do go back to normal, I don’t want it to be normal. There needs to be a new normal.” — Jewelle Blackman, one of the Fates and Persephone understudy

Timothy Hughes: I’m super optimistic that people will return [to the theater]. I don’t know what it’s going to look like, but I think that connection, the visceral experience that I have as a performer and as an audience member of live theater, will be what everybody is craving after this. I’m biking through the city these days and I saw a jazz trio pop up outside of the wine shop, and it drew such a large audience on the street, because people are desperate for live entertainment.

Jewelle Blackman: Had the world not been on pause, I don’t believe that all of these protests for Black Lives Matter would be happening. I don’t think people would be looking at the many issues with equity and race that are prevalent in theater. When we do go back to normal, I don’t want it to be normal. There needs to be a new normal.

Rachel Chavkin: I expect and hope that as we begin to come back, we’re going to see over the next couple years an incredible flourishing of Black writers and directors, artists of color, designers, choreographers.

Beverly Jenkins: Once we get out of this, hopefully we’ll be able to bring theater to more people, you know? It’s very exclusive. If you can’t come to where we are and sit down, you don’t get to see it. The whole field is developing around what this pandemic has put us in. Maybe now there’ll be ways where we can make it accessible.

Rachel Chavkin: I hope it’s not hubris to say I’m not worried about Hadestown coming back. Theater is the oldest thing we do. So we’re going to keep doing it. Sitting together and hearing a story—that I have no doubt is going to come back.



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Can Janet Yellen Save the Economy?

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Janet Yellen’s is a name most Americans will recognize, even if they’re not quite sure why. She’s the former chair of the Federal Reserve and the former chair of the Council of Economic Advisers, and now, she’s been nominated to serve as Joe Biden’s Treasury Secretary.

If confirmed, Yellen will assume her new role during one of the greatest economic crises in a century. How would she guide Biden through the storm?

Guest: Jordan Weissman, Slate’s senior business and economics correspondent.

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Podcast production by Mary Wilson, Danielle Hewitt, Elena Schwartz, and Davis Land, with help from Frannie Kelley.



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